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中国古体诗词与绘画的和谐性
引用本文:周逸树.中国古体诗词与绘画的和谐性[J].赣南师范学院学报,2008,29(1):82-86.
作者姓名:周逸树
作者单位:赣南师范学院文学与新闻传播学院,江西,赣州,341000
摘    要:中国古体诗词与绘画的和谐性主要表现在三个方面:中国古体诗词追求"象外之象"、"言外之意"与中国绘画追求"意趣"、"气韵生动"二者异迹而同趣;古体诗词讲究"色彩观察"、"文字质感"与绘画讲究"随类赋彩"相一致;古体诗词重立意构思与绘画重"经营位置"二者之间异类而同质。

关 键 词:古体诗词  绘画  和谐性
文章编号:1004-8332(2008)01-0082-05
修稿时间:2007年8月31日

On the Harmony Between Chinas Pre-Tang Poetry And Painting
ZHOU Yi-shu.On the Harmony Between Chinas Pre-Tang Poetry And Painting[J].Journal of Gannan Teachers' College(Social Science(2)),2008,29(1):82-86.
Authors:ZHOU Yi-shu
Institution:ZHOU Yi-shu(School of Chinese Literature and Journalism; Gannan Normal University; Ganzhou 341000; China);
Abstract:The harmony between China's pre-Tang poetry and painting is displayed mainly in three characteristics: the pre-Tang poetry seeks images behind surface images,the real meaning behind literal meaning whereas the painting is in pursuit of interest and charm,vivid character.Though different in expressing,they reach the same goal by different routes.The art of perspective on emotional colouring,natural sense of words in the pre-Tang poetry agrees with colouring depending on category in the painting.The pre-Tang poetry values conception and plot,while the painting stresses on the art of composition.They are different in category,but they equally gain satisfactory results.
Keywords:pre-Tang poetry  painting  harmony  
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