| 从"有句无篇"到"兴象玲珑"——"当下"的审美感兴对山水诗意境创构的意义 |
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| 引用本文： | 芮瑞.从"有句无篇"到"兴象玲珑"——"当下"的审美感兴对山水诗意境创构的意义[J].安徽师范大学学报(人文社会科学版),2007,35(1):32-36. |
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| 作者姓名： | 芮瑞 |
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| 作者单位： | 安徽师范大学,文学院,安徽,芜湖,241000 |
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| 基金项目： | 安徽师范大学人文社会科学研究项目(2003XZX05) |
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| 摘 要： | 中国古代山水诗的意境创构,在唐代达到了完善,这是因为唐代山水诗人普遍采用“即目入咏、临景构结”的方式进行创作。“当下”的审美感兴使情景融合为一,自成完善的系统,更使诗人通过瞬间的直觉把握到事物完整的、真实的感性存在,从而在诗歌中创造出纯净浑融的意境。
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| 关 键 词： | 山水诗 意境创构 审美感兴 当下 |
| 文章编号： | 1001-2435（2007）01-0032-05 |
| 修稿时间： | 2006-06-26 |
Significance of "Instant Aesthetic Invigoration" in the Formation of Poetic Image in Mountain-water Poetry |
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| RUI Rui.Significance of "Instant Aesthetic Invigoration" in the Formation of Poetic Image in Mountain-water Poetry[J].Journal of Anhui Normal University(Humanities and Social Sciences),2007,35(1):32-36. |
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| Authors: | RUI Rui |
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| Institution: | Department of Chinese Language and Literature;ANU;Wuhu Anhui 241000;China |
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| Abstract: | The reason why the formation of poetic image of Chinese ancient mountain-water poetry is made perfect in Tang Dynasty is that the mountain-water poets of Tang Dynasty,in their creation,generally adopt the ways of "creating a poem and forming the image at the sight of real sceneries",which refers to the way of creating when the landscape is really presented in front of them."Instant aesthetic invigoration" will combine the poets' feelings with the sceneries in the face of them to form a perfect system and help the poets to grasp the overall and real perceptual existence of the matter by their instant intuition.Thus they will create a clear artistic conception in their poems. |
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| Keywords: | mountain-water poetry formation of poetic image aesthetic invigoration instant |
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