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互动,民间文艺铸造模式新解——由白茆山歌《舂米歌》所引发
引用本文:王小龙.互动,民间文艺铸造模式新解——由白茆山歌《舂米歌》所引发[J].常熟理工学院学报,2011,25(7):114-117.
作者姓名:王小龙
作者单位:常熟理工学院艺术与服装工程学院,江苏常熟,215500
基金项目:江苏省教育厅2009年度高校哲学社会科学基金资助项目“高校音乐教育与地方文化建设的互动研究——以白茆山歌为例”(09SJB760003)
摘    要:白茆山歌《舂米歌》本由专业文艺工作者创作,现如今却成为白茆山歌手的保留曲目。过去对民间文艺源头的认识有两种学说富于代表性,一种是“民间源泉论”,认为文艺的源头在民间;一种是“文化下移论”,认为文化中心不断向外围扩散传播。在新的时期,应认识到两种理论的片面性,民间文艺其实是多种成分相互作用亦即“互动”的结果。

关 键 词:白茆山歌  舂米歌  民间源泉论  文化下移论  互动

Interaction,the New Interpretation of the Foundry Pattern on Folk Arts: Trigger Associations of the Baimao Folk Song Chongmige
WANG Xiao-long.Interaction,the New Interpretation of the Foundry Pattern on Folk Arts: Trigger Associations of the Baimao Folk Song Chongmige[J].Journal of Changshu Institute of Technology,2011,25(7):114-117.
Authors:WANG Xiao-long
Institution:WANG Xiao-long (School of Arts and Garments Engineering,Changshu Institute of Technology,Changshu 215500,China)
Abstract:The Baimao folk song Chongmige was composed by a professional composer,and has become the repertoire of Baimao folk singer nowadays.The past to folk literature and art of source has been known two theories for its representation.One isfolk source of literature theory,thinking in folk;another one wasdiffusion theory,thinking about moves to the periphery cultural center which spread constantly.In the new period,we should realize the one-sidedness of the two theories,folk art is actually various component inte...
Keywords:Baimao folk songs  Chongmige  Folk source theory  Diffusion theory  interaction  
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