| 似与不似--兼谈中国画美学 |
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| 引用本文： | 黄文中.似与不似--兼谈中国画美学[J].泉州师范学院学报,2014(5):72-75. |
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| 作者姓名： | 黄文中 |
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| 作者单位： | 泉州师范学院 美术与设计学院,福建 泉州,362000 |
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| 摘 要： | “似与不似”的美学命题是在中国艺术千余年发展基础上的归纳与总结，凝聚着历代艺术家的真知灼见，比“神”、“气韵”、“意”等更直接、更明了，更一语道破中国画的本质。本文拟对“似与不似”的概念衍变及其在绘画上的处理手法进行界定与梳理，以此探寻传统中国画的美学特征及其发展轨迹，并进一步思考这一命题对当代艺术发展的启示。
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| 关 键 词： | 形似 物我相融 意象 造型 笔墨 边界 |
Like and Unlike---Discussion on the Aesthetics of Chinese Painting |
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| HUANG Wen-zhong.Like and Unlike---Discussion on the Aesthetics of Chinese Painting[J].Journal of Quanzhou Normal College,2014(5):72-75. |
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| Authors: | HUANG Wen-zhong |
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| Institution: | HUANG Wen-zhong (School of Art and Design, Quanzhou Normal University,Fujian 362000,China) |
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| Abstract: | Aesthetic proposition of “like and unlike”is based on the summary of Chinese art for thou-sands of years,condensing the artist＇s high perspicacity,more direct and clear than “God”,“spirit”,“meaning”,making remark about the essence of Chinese painting.In this paper the concept develop-ment of “like and unlike”and its processing technique in painting are defined and combed,the author tries to explore the aesthetic features of Chinese painting and its development,and further considera-tion of this proposition on contemporary art development. |
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| Keywords: | Shape complex Blending image modeling pen and ink |
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