| 审美经验与审美对象－莫里茨·盖格尔美学思想研究之二 |
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| 引用本文： | 张云鹏.审美经验与审美对象－莫里茨·盖格尔美学思想研究之二[J].四川师范大学学报(社会科学版),2002,29(4):49-56. |
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| 作者姓名： | 张云鹏 |
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| 作者单位： | 潍坊学院,中文系,山东,潍坊,261043 |
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| 摘 要： | 重审美经验是西方近现代美学研究的一大趋势 ,作为现象学美学奠基者的莫里茨·盖格尔更是强化了这一点。不过 ,与各种事实论美学尤其是心理学美学把审美经验看作心理的事实不同的是 ,盖格尔视审美对象为审美经验的来源。为此 ,盖格尔对艺术的深层效果和表层效果、快乐和享受、内在的专注和外在的专注、审美判断和令人愉快的东西的判断作出了根本的区别。但最具特色的是 ,盖格尔把审美对象看作是一个现象学的对象而不是本体论的对象
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| 关 键 词： | 莫里茨·盖格尔 美学思想 审美经验 审美对象 |
| 文章编号： | 1000-5315(2002)04-0049-08 |
| 修稿时间： | 2001年11月7日 |
Study of Geiger's Aesthetics: Experience and Subject |
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| ZHANG Yun,peng.Study of Geiger''''s Aesthetics: Experience and Subject[J].Journal of Sichuan Normal University(Social Science Edition),2002,29(4):49-56. |
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| Authors: | ZHANG Yun peng |
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| Abstract: | Emphasis on aesthetic exprerience is the trend of modern western aesthetic study. Moritz Geiger, founder of phenomenalist aesthetics especially emphasizes it, but he looks upon aesthetic subject as its source, which is different from all sorts of factual aesthetics especially psychological aesthetics that treat it as psychological fact. Therefore, Moritz Geiger differentiates fundamentally deep effect from superficial effect of art, joy from enjoyment, internal concentration from external concentration of attention and aesthetic judgement from judgement of pleasant things. The most characteristc of all, however, is that he looks upon aesthetic subject as phenomentalist subject other than ontological subject. |
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| Keywords: | Moritz Geiger aesthetic thought aesthetic experience aesthetic subject |
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