| 明代歌舞研究的意义、现状与方法 |
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| 引用本文： | 蔡丽红.明代歌舞研究的意义、现状与方法[J].福建师大福清分校学报,2007(1):82-86. |
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| 作者姓名： | 蔡丽红 |
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| 作者单位： | 福建师范大学音乐学院,福建福州,350007 |
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| 摘 要： | 明代歌舞承唐、继宋、启清,成为中国歌舞史上不可忽视的一环,在中国艺术史、中国音乐史、歌舞史上具有重要的研究价值.本文通过阐述明代歌舞研究的意义,归纳前人的研究成果,探讨新的研究方法.
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| 关 键 词： | 明代歌舞 意义 现状 方法 |
| 文章编号： | 1008-3421（2007）01-0082-05 |
| 收稿时间： | 2006-09-05 |
| 修稿时间： | 2006年9月5日 |
On the Meaning, Status Quo, and method of the Dancing and Singing of Ming |
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| CAI Lihong.On the Meaning, Status Quo, and method of the Dancing and Singing of Ming[J].Journal of Fuqing Branch of Fujian Normal University,2007(1):82-86. |
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| Authors: | CAI Lihong |
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| Abstract: | The dancing and singing of Ming is the treasure part and act as the transitory period in the history of Chinese dancing and singing.It inherits the essences of dancing and sing of Tang and Song,introduces that of Qing.It's importance cannot be exaggerated in history research of Chinese art,music,and dancing and singing.This paper tries to illustrate the meaning of the research,generalizes the achievements,and probes the new methods in this field. |
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| Keywords: | The singing and dancing of Ming Meaning Research Status Quo Method |
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