| 英国电影中的黑人身份研究 |
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| 引用本文： | 何燕李.英国电影中的黑人身份研究[J].宁波广播电视大学学报,2014,12(3):116-120. |
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| 作者姓名： | 何燕李 |
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| 作者单位： | 四川大学文学与新闻学院,四川成都,610064 |
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| 摘 要： | 英国电影中的黑人身份主要包括四种类型;第一,因为宗主国或本国放逐而在生理和心理上双重无家可归的被放逐者.第二,因为殖民主义及其后遗症而散居各地的黑人流散群体.第三,因为殖民与后殖民行为促使黑、白群体相互“混杂”而使双方都失去民族纯洁性的黑人混杂体.第四,因为跨种族婚姻促使后代在基因方面“混血”,而在文化、历史、价值观等方面混杂的黑人混血儿,即所谓的“基因和文化混杂体”.
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| 关 键 词： | 黑人 身份 放逐 流散群体 混杂体 |
On the Black Identity in British Films |
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| HE Yanli.On the Black Identity in British Films[J].Journal of Ningbo Radio & TV University,2014,12(3):116-120. |
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| Authors: | HE Yanli |
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| Institution: | HE Yanli (Literature and Journalism School, Sichuan University, Chcngdu 610064, Sichuan, China) |
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| Abstract: | There are four kinds of black identifies in British films： first, the homeless Black people exiled by Britain or their motherland who couldu＇ t find their right mental and physical place; second, the black diaspora who were forced to leave home by colonialism and its post effects; third, the Black hybridity produced by the Black and White who lived in the same place for many centuries, but weren＇ t what they were anymore; forth, the so called Black mestizo, who were not only biological hybridity but also mixture of the Black and White in culture, history and value. |
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| Keywords: | Black Identity Exile Diaspora Hybridity |
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