| 关于“七十年代出生作家”的几点思考 |
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| 引用本文： | 杨丽芳.关于“七十年代出生作家”的几点思考[J].黄冈职业技术学院学报,2001,3(1):112-115. |
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| 作者姓名： | 杨丽芳 |
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| 作者单位： | 武汉大学中文系 |
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| 摘 要： | 世纪之交,一群70年代出生的文学新人热热闹闹踏足文坛,也引来颇多争议,他们共同的成长记忆是做一个问题孩子,这群迷途羔羊在荒芜的城市旷野中毁灭或艰难成长,有一部分开始在为生存寻找一个理性的依据。他们的个人叙事话语某种程度上走向了平面化,酒吧是他们写作中最富于意味的文化符码。70年代出生的女作家们的性爱叙事比了染、林白们更具商品社会性被物化的特点,性体验也有随意、泛滥与平庸化的趋势。
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| 关 键 词： | 七十年代出生作家 问题孩子 酒吧 个人化写作 性爱叙事话语 |
Considerations On the Writers born in 1970's |
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| YANG Li-Fang.Considerations On the Writers born in 1970''''s[J].Journal of Huanggang Polytechnic,2001,3(1):112-115. |
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| Authors: | YANG Li-Fang |
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| Institution: | YANG Li-fang |
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| Abstract: | At the cross of centuries, a group of new writers enter the literary circles, which gives rise tomany arguments. Their common memory about growing is being problem children. They ruined or struggled tosurvive in the barren wilderness of cities. Some of them are trying to find some rational reasons for their existence.Their personalized narrating tends to be plane to some extent. Bars are their meaningful culture code in theirwritings. The narration about sexual love of the women writers born in 1970 s has more features ofmaterialization of sexual love in commodity society than that of Cheng Ran and Lin Bais. Their sexual experiencetends to be casual, running wild and mediocre. |
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| Keywords: | writers born in 1970s problem children bar personalized writing narration of sexual love |
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