| 李白游仙诗世界之形态、模式及其审美意义 |
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| 引用本文： | 居忠诚.李白游仙诗世界之形态、模式及其审美意义[J].毕节学院学报,2013(12):116-120. |
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| 作者姓名： | 居忠诚 |
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| 作者单位： | 镇江高等职业技术学校,江苏镇江212003 |
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| 基金项目： | 国家社科基金后期资助项目“风骚诗脉与唐诗精神”阶段性成果之一,项目编号：13FZW010： |
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| 摘 要： | 在道教文化的影响下，李白从神仙道教的角度驾驭神仙题材来传达其思想感情，吸收《楚辞》游仙的精神内核与表达形式，突破了六朝以来一味升登求仙而企慕长生的游仙题材与颇为单纯的游仙意象，结合自身遭遇，融合现实时事，在浓烈的性情中涂抹上相当个性化的梦幻色彩。在诗人“仙”气弥漫的梦幻世界里，别具三种游仙文化形态，即：超凡之人、奇幻之境与至诚之情，同时又创造了“以幻写仙”、“以梦写仙”与“以游写仙”的三种抒写游仙世界的新异模式，呈现出丰富多彩的游仙面貌与深刻意境。其才力之大、想象力之丰、个性之显，无愧“诗仙”之名，而其广阔的堂庑，既为道教神仙世界努力拓展人性化的空间，也为游仙诗史竖起了一座继往开来的丰碑，具有不朽的诗学价值与审美意义。
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| 关 键 词： | 李白 游仙诗 游仙形态 抒写模式 人格化 丰碑 |
The Outline,Pattern and Aesthetic Meaning of Fairy Poems of Li Bai |
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| JU Zhong-cheng.The Outline,Pattern and Aesthetic Meaning of Fairy Poems of Li Bai[J].Journal of Bijie University,2013(12):116-120. |
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| Authors: | JU Zhong-cheng |
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| Institution: | JU Zhong-cheng ( Zhenjiang Vocational and Technological College,Zhenjiang, Jiangsu212003, China) |
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| Abstract: | Under the influence of Taoist culture, Li Bai applied fairy stories to convey his own feelings and ideas, absorbing the spirits of Chuci and its ways of expressions. Li＇ s poems make breakthroughs in com- bining self experiences with realities, which are different from the themes of longing for longevity in Liuchao period. Li＇ s poems have his own individuality： unworldly people, fantastic situation and sincere emotions. At the same time, he originated three ways of describing the fairy world, such as describing gods in fantasy, dream and travel. With his unusual talent, imagination and personality, he deserves the crown of fairy poet. Li Bai＇ s fairy poems not only give Taoist culture humane space but set up the milestone of poetic values and aesthetic meaning for the late-coming literature works. |
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| Keywords: | Li Bai Fairy Poems Fairy Styles Patterns Personification Milestone |
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