| 图像与言语之间——论诗与画的界限 |
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| 引用本文： | 杨森.图像与言语之间——论诗与画的界限[J].徐州师范大学学报(哲学社会科学版),2002,28(4):55-57. |
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| 作者姓名： | 杨森 |
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| 作者单位： | 徐州师范大学,科文学院,江苏,徐州,221116 |
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| 摘 要： | 伴随古典艺术到现代、后现代艺术的转换，诗、画的自律性已突破原有的层面，出现了一些新特点。诗、画的比较也应突破传统的单向关系，在审美形式、审美意象、审美境界三个层面作整体的把握。
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| 关 键 词： | 诗 画 艺术形式 审美意象 审美境界 |
| 文章编号： | 1007-6425(2002)04-0055-03 |
| 修稿时间： | 2000年6月18日 |
Between Painting and Language |
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| YANG Sen.Between Painting and Language[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2002,28(4):55-57. |
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| Authors: | YANG Sen |
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| Abstract: | With the changing from classical arts to modern and post-modern arts, new features have occurred in the restraining of poetry and painting. As a result, comparison between poetry and painting breaks the traditional one-way relationship accordingly and must be in three factors of artistic form, aesthetic imagine and aesthetic state. |
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| Keywords: | poetry painting artistic form aesthetic imagine aesthetic state |
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