| 郑板桥"写竹三段说"之我见 |
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| 引用本文： | 曲刚.郑板桥"写竹三段说"之我见[J].德州学院学报,2003,19(1):103-107. |
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| 作者姓名： | 曲刚 |
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| 作者单位： | 德州学院美术系,山东,德州,253023 |
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| 摘 要： | 中国传统美学对情感与艺术创作关系的认识,大致可分两类:儒家美学坚持艺术创作对道德情感的教化主旨,偏重道德人格,认为审美经验只是助成道德目标的附庸.而庄子美学、以嵇康<声无哀乐论>为代表的魏晋玄学、禅宗美学、王夫之的诗歌美学,甚至于西方康德美学的异曲同工之处在于宣扬情感二分论和美善分离说,强调审美人格的塑造,以确保审美经验的纯粹性.本文试图以后者的视角,从情感与形式的关系人手,对郑板桥的"写竹三段说"做出新的阐释.
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| 关 键 词： | 郑板桥 "写竹"三段说 情感与形式 审美经验 |
| 文章编号： | 1004-9444(2003)01-0103-05 |
| 修稿时间： | 2002年8月31日 |
My view on "Three Stages of Bamboo Painting" by Zheng Ban-qiao |
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| QU Gang.My view on "Three Stages of Bamboo Painting" by Zheng Ban-qiao[J].Journal of Dezhou University,2003,19(1):103-107. |
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| Authors: | QU Gang |
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| Abstract: | There are two broad categories in traditional aesthetics of china concerning the relationship of feeling and artistic creation. Confucianism believes the instructional function of arts to morals and feelings. It emphasizes on morals and personalities instead of aesthetic experiences, which is regarded as a supplementary aid to the achievement of moral goals. ZhuangZi's aesthetics, metaphysics represented by JiKang's "On Sounds Without Music", Buddhist aesthetics, Wang Fu - Zhi' s poetic aesthetics and aesthetics of Kant's aesthetics of the west share the idea of two independent feelings and the separation of morals and arts. All of them emphasize the formation of aesthetic disposition of man and make sure of the purification of aesthetic experiences. The paper focuses on a new exposition of "Three stages of bamboo painting" from the angle of the relationship of feelings and forms advocated by the latter schools of aestheticism. |
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| Keywords: | Zheng Ban - qiao Three stages of bamboo painting feelings and forms aesthedcs experiences |
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