| 工笔人物画色彩的传统与创新 |
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| 引用本文： | 徐丽娟.工笔人物画色彩的传统与创新[J].南阳师范学院学报,2005,4(10):116-118. |
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| 作者姓名： | 徐丽娟 |
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| 作者单位： | 南阳师范学院,美术系,河南,南阳,473061 |
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| 摘 要： | 中国工笔人物画在唐宋时代以前,拥有光辉灿烂的色彩的传统.宋元以降,由于文人写意画的盛行,这种传统渐渐式微.在改革开放的今天,探讨如何拓展工笔人物画的表现语言,重新焕发工笔人物画的色彩魅力,是发展工笔人物画的必由之路.
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| 关 键 词： | 工笔人物画 色彩 传统 创新 |
| 文章编号： | 1671-6132(2005)10-0116-03 |
| 收稿时间： | 06 15 2005 12:00AM |
| 修稿时间： | 2005年6月15日 |
On Tradition and Creation of Color of Meticulous Figure Paintings |
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| XU Li-juan.On Tradition and Creation of Color of Meticulous Figure Paintings[J].Journal of Nanyang Teachers College,2005,4(10):116-118. |
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| Authors: | XU Li-juan |
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| Abstract: | Chinese Meticulous figure paintings had a brilliant tradition of color before Tang and Song Dynasty, but the tradition was on the decline since Song and Yuan because of the flourishing of scholar freehand brushwork paintings. Nowadays studying how to expand the expression language of Meticulous Figure Paintings and irradiate the charm of its color is the only way to develop it. |
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| Keywords: | Meticulous figure paintings color tradition creation |
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