| 王朝闻论艺术风格的主体性 |
| |
| 引用本文： | 郝春燕.王朝闻论艺术风格的主体性[J].阿坝师范高等专科学校学报,2007,24(1):25-27. |
| |
| 作者姓名： | 郝春燕 |
| |
| 作者单位： | 山东师范大学,文学院,山东,济南,250014 |
| |
| 摘 要： | 中国当代哲学美学存在将艺术作为一个客观的与审美主体人分裂的对象来看待的误区,王朝闻认为作为审美对象的艺术不是一个被动的对象,而是蕴涵着人的审美意识的对象,而艺术的主体性的最显著的表现,就是艺术风格与人的审美意识的内在联系。王朝闻详细分析了艺术风格与艺术家以及欣赏者的主体性的内在联系,并强调了艺术风格的主体性的现实生活基础,王朝闻对艺术风格的主体性的理解是和他的审美关系论相互联系的,他对艺术风格的主体性的多纬分析还确立了一种新的艺术本体论,对中国当代美学的形而上学误区有颠覆和重构的意义。
|
| 关 键 词： | 艺术风格 主体性 自然 生活 |
| 文章编号： | 1008-4142(2007) |
| 收稿时间： | 2006-10-10 |
| 修稿时间： | 2006年10月10日 |
Wang Chaowen's Remarks on the Subjectivity of Artistic Styles |
| |
| HAO Chun-yan.Wang Chaowen''''s Remarks on the Subjectivity of Artistic Styles[J].Journal of Aba Teachers College,2007,24(1):25-27. |
| |
| Authors: | HAO Chun-yan |
| |
| Abstract: | There is a misconception in modern philosophical aesthetical existence which takes art as a split object between objectivity and aesthetical subjectivity.Wang Chaowen holds that art in the aesthetic object is not a passive one,but the one that contains people's aesthetic awareness.The most remarkable manifestation of artistic subjectivity is the inner link with people's aesthetic awareness.Wang analyses in detail the inner link between artists and the appreciators' subjectivity,stresses the true-life base of the subjectivity of artistic styles.Wang's understanding of the subjectivity of artistic styles and his theory on aesthetic relationships are correlated.His multi-dimensional analysis of the subjectivity of artistic styles establishes a new theory of artistic subjectivity,which implies subversion and reconstruction on China's modern aesthetic metaphysical misconception. |
| |
| Keywords: | artistic styles subjectivity nature life |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
