| 走向大海:水浒故事文学叙事的审美考察 |
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| 引用本文： | 王振星.走向大海:水浒故事文学叙事的审美考察[J].济宁师范专科学校学报,2009,30(1). |
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| 作者姓名： | 王振星 |
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| 作者单位： | 济宁学院中文系,山东,曲阜,273100 |
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| 摘 要： | 随着时代的变迁,水浒故事被赋予了不同的内涵,其文学叙述的变化展现了别具一格的审美意识。百回本《水浒传》在结末写李俊泛海为暹罗国主,陈忱的《水浒后传》以此承续、构想,演述了三十余位幸存的水浒英雄及其英雄的后裔,重聚造反,直至暹罗国开基创业,为君为臣,其乐融融。大海意象成为作者英雄人格的栖息地和精神愤激、消歇的理想载体。
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| 关 键 词： | 水浒传 水浒后传 水浒故事 大海意象 |
Go to the Sea: The Aesthetic Examination of the Literary Narration for the Stories in Water Margin |
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| WANG Zhenxing.Go to the Sea: The Aesthetic Examination of the Literary Narration for the Stories in Water Margin[J].Journal of Jining Teachers College,2009,30(1). |
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| Authors: | WANG Zhenxing |
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| Institution: | WANG Zhenxing(The Chinese Department of Jining University; Qufu; 273100; China); |
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| Abstract: | With the change of time,the stories in Water Margin have been endowed with different connotations,and the change of its literary narration has shown its unique aesthetic perspective.The "Water Margin" with 100 chapters mentioned that Li Jun floated to the Siam and became its king,based on which Chen Chen s Sequel to Water Margin continued it and made some imagination: over 30 people(including survivals of water margin heros and their heirs) assembled and rebelled again,then went to the Siam where they estab... |
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| Keywords: | Water Margin Sequel to Water Margin the Stories in Water Margin the imago of the ocean |
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