| 想象性边界：刘三姐形象的文化功能 |
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| 引用本文： | 任旭彬.想象性边界：刘三姐形象的文化功能[J].柳州师专学报,2011,26(1):6-10. |
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| 作者姓名： | 任旭彬 |
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| 作者单位： | 南京大学,文学院,江苏,南京,210093 |
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| 摘 要： | 传统中国文化的＂夷夏之辨＂和中华民族＂多元一体＂格局都具有多样性文化并存的内涵,是中国多元文化融合的观念资源,依托于歌圩文化的现代刘三姐形象就具有了标识壮族的作用,成为中华民族文化共同体中壮族区别于其他民族的文化边界。
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| 关 键 词： | 歌圩 刘三姐 边界 |
Cultural Function of Modern Image of Liu Sanjie |
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| REN Xubin.Cultural Function of Modern Image of Liu Sanjie[J].Journal of Liuzhou Teachers College,2011,26(1):6-10. |
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| Authors: | REN Xubin |
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| Institution: | REN Xubin(School of Liberal Arts,Nanjing University,Nanjing,Jiangsu,210093 China) |
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| Abstract: | The identification of China and the West in traditional Chinese culture and the pattern of diversity in unity of the Chinese nation being contained the connotation of coexistence of cultural diversities are the melting conception resources of Chinese multicultural.Based on the culture of folksong fair,modern image of Liu Sanjie plays a role of identification of the Zhuang ethnic groups and becomes the cultural boundary which differs the Zhuang from the other ethnic groups in the cultural community of Chines... |
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| Keywords: | folk song fair Liu Sanjie border |
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