| 马克思主义实践美学的当代发展及理论意义 |
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| 引用本文： | 申云同.马克思主义实践美学的当代发展及理论意义[J].广州广播电视大学学报,2011,11(1):58-62,110. |
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| 作者姓名： | 申云同 |
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| 作者单位： | 华南师范大学,广东广州,510631 |
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| 摘 要： | 实践是马克思主义关学的核心理论范畴。在马克思主义的实践立场上，李泽厚把康德的先验主体性和马克思的实践主体性结合起来，主张美是社会性和客观性的统一，深化了马克思主义实践关学的理论研究。众多盼当代美学研究者在李泽厚的研究基础上，致力于“新实践美学”、“后实践关学”的理论探索，既展现了对马克思主义实践美学的超越精神，也推动了马克思主义实践美学理论的发展衍变。其思想争辩过程对中国当代美学的理论研究具有重要的启示。
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| 关 键 词： | 马克思主义 实践 实践美学 后实践美学 |
Contemporary Development and of Marxist Practical Aesthetics and Its Theoretical Significance |
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| SHEN Yun-tong.Contemporary Development and of Marxist Practical Aesthetics and Its Theoretical Significance[J].Journal of Guangzhou Radio & TV University,2011,11(1):58-62,110. |
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| Authors: | SHEN Yun-tong |
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| Institution: | SHEN Yun-tong(South China Normal University,Guangzhou 510631,China) |
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| Abstract: | Practice is theoretically the core category in Marxist Aesthetics.Standing his Marxism ground,LI Zehou integrates Kant’s transcendental subjectivity with Marx’s practical subjectivity,and advocates that beauty is the unity of sociality and objectivity,deepening the theoretical study of Marxist Practical Aesthetics.Based on Li’s research,many contemporary aesthetic scholars dedicate themselves to the theoretical exploration of New Practical Aesthetics and Post Practical Aesthetics.Their work not only manifests the transcendent spirit of Marxist Practical Aesthetics,but also promotes its development.Their critical and argumentative thinking is a great inspiration to the theoretical study of contemporary Aesthetics in China. |
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| Keywords: | Marxism practice Practical Aesthetics Post Practical Aesthetics |
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