| "意象"诠析 |
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| 引用本文： | 王朝元."意象"诠析[J].广西师范大学学报(哲学社会科学版),2005,41(4):51-55. |
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| 作者姓名： | 王朝元 |
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| 作者单位： | 广西师范大学,中文系,广西,桂林,541004 |
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| 摘 要： | “意象”作为中国古典美学重要范畴之一,意指主观情意与客观物象的有机统一。魏晋至宋,意象指构思中的形象;宋至明清,则多指创造出来的艺术形象。随着言意论的不断发展,象的中介性和主观意蕴性日益突出和丰富,意象范畴由哲、学范围逐步扩大到文学、艺术审美领域。想象和情感是审美意象得以形成的关键因素。
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| 关 键 词： | 意象 艺术形象 审美意象 具化形态 |
| 文章编号： | 1001-6597(2005)04-0051-05 |
| 收稿时间： | 07 16 2005 12:00AM |
| 修稿时间： | 2005年7月16日 |
AN ANALYSIS OF "SUBJECTIVE IMAGE" |
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| WANG Chao-yuan.AN ANALYSIS OF "SUBJECTIVE IMAGE"[J].Journal of Guangxi Normal University(Philosphy and Social Science Edition),2005,41(4):51-55. |
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| Authors: | WANG Chao-yuan |
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| Institution: | Department of Chinese Language and Literature, Guangxi Normal University, Guilin 541004,China |
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| Abstract: | "Subjective image",being an important component in classical Chinese esthetics,refers mainly to the unity of subjective intension and objective image.From the Wei and Jin Dynasties to the Song Dynasty,subjective image referred to the image under composition;from the Song Dynasty to the Ming and Qing Dynasties,referred mostly to the created artistic image.With the development of semantic theory,the intermediary and subjective implication of image have become more and more varied,and subjective image has been categorized not only in philosophy bur also in literature and esthetics.Imagination and emotion have come to be the crucial factor for the formation of esthetic image. |
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| Keywords: | subjective image artistic image esthetic image particularized form |
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