| 试论中国戏曲脸谱艺术的政治化因素 |
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| 引用本文： | 张玲.试论中国戏曲脸谱艺术的政治化因素[J].太原大学学报,2013,14(2):84-86. |
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| 作者姓名： | 张玲 |
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| 作者单位： | 山西戏剧职业学院美术系,山西太原,030001 |
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| 摘 要： | 中国戏曲脸谱带有浓重的巫术色彩，随着戏曲政治化的发展，这种巫术色彩逐渐被专制主义者所利用，形成了脸谱艺术虚假性、仪式性、游戏性、神秘性的特征。脸谱艺术是戏曲政治化过程中政治化最明显、最深刻、最有影响的元素。这种影响不仅是物质上建立了一套以特定面貌表现特定人物性格品质的体系，而且在精神上将人的形象与真实的社会分离，成为主流意识形态的代名词，并随着戏曲的广泛流传对中国人的思想观念和价值取向产生了影响。
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| 关 键 词： | 中国戏曲 脸谱艺术 政治化 |
On Political Factors of Facial Makeup Art in Chinese Operas |
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| ZHANG Ling.On Political Factors of Facial Makeup Art in Chinese Operas[J].Journal of Taiyuan University,2013,14(2):84-86. |
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| Authors: | ZHANG Ling |
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| Institution: | ZHANG Ling ( Art Department, Shanxi Drama Vocational College, Taiyuan 030002, China) |
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| Abstract: | The facial makeup in Chinese Operas has strong witchery color. With operas becoming political, its witchery color is gradually made use of by the absolutists, forming its false, ritual, gamesome, and mysterious characteristics. The facial makeup art is the most obvious, deepest, and most effective factor in the process for the operas becoming political. This effect not only materially builds a system for a specific face to express a specific quality and character, but also spiritually separates the image with the real society. So the facial makeup art becomes a synonym of the mainstream ideology and brings great influence to Chi- nese ideological concepts and value orientation with the operas widely spreading. |
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| Keywords: | Chinese operas facial makeup art political |
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