| “疯癫”的文本策略——解读当下文坛的“疯癫”叙事 |
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| 引用本文： | 杨慧,芮欣.“疯癫”的文本策略——解读当下文坛的“疯癫”叙事[J].唐山学院学报,2006,19(4):36-38. |
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| 作者姓名： | 杨慧 芮欣 |
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| 作者单位： | 1. 清华大学,中文系,北京,100084
2. 辽宁大学,文化传播学院,辽宁,沈阳,110036 |
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| 摘 要： | 当下文坛的长篇小说中出现了众多的“疯癫”文本,比如阎连科的《坚硬如水》、苏童的《蛇为什么会飞》、格非的《人面桃花》、李洱的《石榴树上结樱桃》等。当下文坛对疯癫的集体关注蕴含着作家们对当下中国现代性转型的深入思考,也酝酿着消费时代文学的新突破。
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| 关 键 词： | 长篇小说 文本策略 疯癫叙事 |
| 文章编号： | 1672-349X(2006)04-0036-03 |
| 修稿时间： | 2006年3月15日 |
The Tactics of Texts About Madness——An Analysis of the Madness Narration in the Present Literary Circle |
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| YANG Hui,RUI Xin.The Tactics of Texts About Madness——An Analysis of the Madness Narration in the Present Literary Circle[J].Journal of Tangshan College,2006,19(4):36-38. |
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| Authors: | YANG Hui RUI Xin |
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| Abstract: | Many texts about the madness came into the present literary circle such as Hard Like Water by Yan Lanke, Why The Snake can Fly by Su Tong ,The Face and The Peach Blossom by Ge Fei, The Pomegranate Bearing Cherry by Li Er. The collective attention to the madness contains deep ponder about Chinese contemporary transformation by the writers and symbolizes the new development of literature in consumption age. |
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| Keywords: | novel the tactics of texts madness narration |
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