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荆山“阳锣鼓”艺术形态之探微
引用本文:李素娥.荆山“阳锣鼓”艺术形态之探微[J].襄樊学院学报,2008,29(9):69-74.
作者姓名:李素娥
作者单位:襄樊学院,音乐系,湖北,襄樊,441053
摘    要:阳锣鼓,又称薅草锣鼓。它以一种原始的务种田间劳作“挖生田”的锣鼓歌乐形式,曾在鄂西北一带广为流传。但随着时间的推移,农耕劳作化形式的改变,使得这种形式已在消失或正在消失。由于地处荆山的保康、南漳地理环境特殊和生产方式的需要,使这种古老的遗风犹存余迹。它的音乐、歌腔、表演的完美结合所形成“三位一体”的艺术形态,体现了荆楚腹地传统民间艺术的文化特征,这一原始农耕的古朴音乐文化是值得音乐界关注与研究的。

关 键 词:荆山  阳锣鼓  艺术特征

Artistic Form of Yang Gongs in Jingshan
LI Su-e.Artistic Form of Yang Gongs in Jingshan[J].Journal of Xiangfan University,2008,29(9):69-74.
Authors:LI Su-e
Institution:LI Su - e (Music Department, Xiangfan University, Xiangfan 441053, China)
Abstract:Yang Gongs, also named Weeding Gongs, is a kind of music accompanied by songs, performed during original field work, and it was widely spread in the northwest of Hubei. As time flies, with laboring forms changing, this kind of art is disappearing . Because of their special geographical environments and production forms in Baokang County and Nanzhang County, this old artistic form is left. Trinity of music, singing accent and performance embodies the cultural features of folk art in Jing - Chu. It is worthwhile for experts to pay much attention to this originally musical culture.
Keywords:Jingshan  Yang Gongs  Artistic features
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