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三论文艺美学的对象、范围和学科定位
引用本文:周来祥.三论文艺美学的对象、范围和学科定位[J].广西师范大学学报(哲学社会科学版),2004,40(3):37-43.
作者姓名:周来祥
作者单位:山东大学,美学研究所,山东,济南,250100
摘    要:艺美学不但是客观存在的,而且是学科发展的必然结果。艺美学不是传统的艺术哲学,也不是美学与艺学交叉产生的第三种学科,而是由哲学认识论、心理学、社会学、伦理学、生存实践等各种角度、多个层次、多种方法高度融合所规定的美学的中介学科和分支学科。艺美学具有独特的研究对象、内容和范围。同时它又是艺社会学、艺心理学的并列学科。

关 键 词:文艺美学  对象  范围  学科定位
文章编号:1001-6597(2004)03-0037-07
修稿时间:2004年3月7日

THIRD ANALYSIS OF OBJECT,BOUNDARY AND DISCIPLINE-ORIENTATION OF LITERARY AESTHETICS
ZHOU Lai,xiang.THIRD ANALYSIS OF OBJECT,BOUNDARY AND DISCIPLINE-ORIENTATION OF LITERARY AESTHETICS[J].Journal of Guangxi Normal University(Philosphy and Social Science Edition),2004,40(3):37-43.
Authors:ZHOU Lai  xiang
Abstract:Literary aesthetics is not only an objective reality but also an inevitable result of discipline development. It is not the traditional art philosophy, or an inter disciplinary branch of aesthetics and literary study; rather, it is an intermediate and subdisciplinary branch of highly blending aesthetics by epistemology, psychology, ethics, sociology and survival practice. Literary aesthetics has its own distinctive object, content and boundary of research. Furthermore, it is a discipline which is on the same level of literary sociology and literary psychology.
Keywords:literary aesthetics  object  boundary  subject-orientation  
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