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从《卢布林的魔术师》看辛格创作的男性立场
引用本文:毕青.从《卢布林的魔术师》看辛格创作的男性立场[J].徐州师范大学学报(哲学社会科学版),2006,32(3):28-31.
作者姓名:毕青
作者单位:徐州师范大学,外国语学院,江苏,徐州,221116
摘    要:评论界普遍关注艾.辛格长篇小说中男性“忏悔者”形象,肯定了这个模式化的角色对凸现小说“背弃?回归”主题模式的同构性意义,并高度评价了辛格为捍卫犹太传统文化所作的贡献。然而,在辛格的长篇小说中,女性人物往往被扭曲和异化,极少得到正面关照。在《卢布林的魔术师》中,作者肆意将女性人物扁平化,将丑陋、愚蠢、冷酷、贪婪、放荡等品性浓缩到她们身上。这样,男性主人公与女性人物的各种关系,隐喻了他曾经被诱惑,然而最终能够顿悟自救,浮出世俗欲望的层面,完成信仰的回归。这种彰显男性主人公弃恶从善,浪子回头的叙事策略充分暴露了作者隐匿的男性立场。这种男性叙事话语并非是一个单纯的文学现象,它蕴涵着深厚的文化基因,十分强调身份意识(契约意识)和伦理意识的犹太传统文化本身就呈现出典型的男性色彩。透过辛格的男性创作立场,我们捕捉到小说中渗透的犹太文化元素,也感触到辛格这位“最后的犹太作家”对犹太传统男性文化的独特承袭。

关 键 词:辛格  <卢布林的魔术师>  忏悔者  男性立场  犹太传统文化
文章编号:1007-6425(2006)03-0028-04
收稿时间:2005-12-11
修稿时间:2005年12月11

On Singer's Male Writing Standpoint in The Magician of Lublin
BI Qing.On Singer''''s Male Writing Standpoint in The Magician of Lublin[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2006,32(3):28-31.
Authors:BI Qing
Abstract:I.B.Singer's stereotyped male penitents become identified with his recurrent theme pattern rom betrayal to redemption in most of his novels,which is unanimously approved and gets eulogized in the literary world.But,in contrast,the female characters in his novels are usually distorted and alienated satirically.In The Magician of Lublin,his masterpiece,Singer flattens the three major female characters as signs of ugliness,stupidity and licentiousness.Therefore,the relationship between the male character and the female characters implies that he is once seduced but he can immediately mend his way and achieve his religious redemption,which fully reveals Singer's male standpoint.The pro-male discourse is not merely a literary phenomenon;instead,it contains profound cultural elements.The traditional Jewish culture with special stress on identity and ethics instinctively assumes a distinct male flavor.Singer's male standpoint contributes to our penetrating understanding of the traditional Jewish culture and his unique inheritance of it.
Keywords:The Magician of Lublin  penitent  male standpoint  traditional Jewish culture
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