| 浅析中国工笔画中的时间审美 |
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| 引用本文： | 张逸瀛.浅析中国工笔画中的时间审美[J].楚雄师范学院学报,2012(5):90-92. |
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| 作者姓名： | 张逸瀛 |
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| 作者单位： | 楚雄师范学院 |
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| 摘 要： | 工笔画在两千多年的发展史中,形成了自己独有的表现形式和审美体系。其特点除了"以线造型"、"薄涂厚染"、"以形写神"、"意象造型"而外,工笔画中潜藏着一种对时间美学的关注往往被人们忽略,这是中国画体系中不可或缺的,它体现出中国人以时间为本位的思考方式。
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| 关 键 词： | 时间 工笔画 渐进 |
Time Aesthetics of Ancient Chinese Fine-Brushwork Painting |
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| ZHANG Yi-ying.Time Aesthetics of Ancient Chinese Fine-Brushwork Painting[J].journal of chuxiong normal university,2012(5):90-92. |
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| Authors: | ZHANG Yi-ying |
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| Institution: | ZHANG Yi-ying(Chuxiong Normal University,Chuxiong 675000,China) |
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| Abstract: | Chinese Gongbi(fine-brushwork) painting has formed its own unique expression way and aesthetic system.In addition to its characteristic of line expression,color expression,spirit expression and image expression,there exists time aesthetics in the painting often neglected by people.It is indispensable in Chinese painting and reflects time-oriented thinking mode for Chinese people. |
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| Keywords: | time Chinese Gongbi(fine-brushwork) painting progressive |
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