| 《徽州女人》中“女人”命运的悲剧性问题 |
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| 引用本文： | 江结宝.《徽州女人》中“女人”命运的悲剧性问题[J].连云港师范高等专科学校学报,2011(2):1-4. |
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| 作者姓名： | 江结宝 |
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| 作者单位： | 安庆师范学院文学院,安徽安庆,246011 |
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| 基金项目： | 安徽省社科规划办课题“黄梅戏语言及文化研究”(项目编号:AHSK07-08D112) |
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| 摘 要： | 中国自古就有悲剧精神和悲剧艺术,《徽州女人》属于悲剧艺术,"女人"是悲剧人物。悲剧精神具有民族特征,中国的悲剧精神强调道德内涵,悲剧人物对于不幸命运的抗争,其形式是多样的,包括明火执仗的拼斗、巧妙周旋和隐忍退让。
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| 关 键 词： | 黄梅戏 徽州女人 悲剧性 |
Tragic Issues on Woman's Fate of the Huangmei Opera The Huizhou Lady |
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| JIANG Jie-bao.Tragic Issues on Woman's Fate of the Huangmei Opera The Huizhou Lady[J].Journal of Lianyungang Teachers College,2011(2):1-4. |
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| Authors: | JIANG Jie-bao |
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| Institution: | JIANG Jie-bao(School of Humanities,Anqing Teachers College,Anqing 246011,China) |
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| Abstract: | There has been tragedy spirit and art since ancient times in China.The Huangmei opera The Madam Huizhou is a masterpiece of tragedies,with the lady as the tragedy figure.The tragedy spirit has national features.Chinese tragedy spirit emphasizes moral connotation.The tragedy figure struggled against the unfortunate fate in diverse forms,including open struggles,socializing ingeniously,enduring and yielding. |
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| Keywords: | Huangmei opera The Madam of Huizhou tragic |
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