| 论《二十四诗品》之《沉著》 |
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| 引用本文： | 秦佳妮.论《二十四诗品》之《沉著》[J].四川教育学院学报,2010,26(10):45-47. |
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| 作者姓名： | 秦佳妮 |
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| 作者单位： | 华南师范大学文学院,广州510006; |
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| 摘 要： | 《二十四诗品》以四言诗的形式探讨了中国古典诗歌中二十四种不同形态的风格之美。其中的《沉著》品从人物行动及周围环境的描写中表达出一种深沉执着的思念之情,并且阐述了这种情感在诗中的表达技巧。《沉著》继承了贯穿《二十四诗品》超越世俗的倾向,但它的独特之处在于它最终指向的是属于现实人生的思念之情。对世俗的超越和对人间情感的执着相互交织,形成了《沉著》品独特的风貌。
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| 关 键 词： | 《二十四诗品》 《沉著》 思念 超越 回归 |
On Composure of Twenty-four Poetic Styles |
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| QIN Jia-ni.On Composure of Twenty-four Poetic Styles[J].Journal of Sichuan College of Education,2010,26(10):45-47. |
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| Authors: | QIN Jia-ni |
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| Institution: | QIN Jia-ni(School of Literature,South China Normal University,Guangzhou 510006,China) |
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| Abstract: | Twenty-four Poetic Styles discusses twenty-four different styles of Chinese ancient poetry.One of the styles is Composure,which expresses an emotion of missing somebody deeply,and discusses how to express this emotion in poems.Composure has the trend of transcending common customs,which is the same as other styles in Twenty-four Poetic styles.The difference is that the emotion in Composure belongs to the real life,which is the unique characteristic of this poetic style. |
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| Keywords: | Twenty-four Poetic Styles Composure missing transcend return |
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