| 国画用笔与线条阐析 |
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| 引用本文： | 吴越滨.国画用笔与线条阐析[J].丽水学院学报,2003,25(4):31-33. |
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| 作者姓名： | 吴越滨 |
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| 作者单位： | 丽水师范专科学校,美术系,浙江,丽水,332000 |
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| 摘 要： | 国画中用笔所作之线条具有表形、表意、表神之功能，“用笔”一词，源于中国的美学范畴、审美理念、书画源流及其工具材料的运用和发展，它促进了线条运用的研究而成格式。所以，传统中国画的用笔实指借物咏情之行迹本质，非指一般意义上的线条概念。
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| 关 键 词： | 国画 用笔 线条 表意 审美 象形 气势 |
| 文章编号： | 1008-6749(2003)04-0031-03 |
| 修稿时间： | 2003年4月1日 |
An Interpretation of the Stroke and Line in Traditional Chinese Painting |
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| Wu Yuebin.An Interpretation of the Stroke and Line in Traditional Chinese Painting[J].Journal of Lishui University,2003,25(4):31-33. |
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| Authors: | Wu Yuebin |
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| Abstract: | In traditional Chinese painting, the line formed by stroke has the functions of representing form, meaning and nature. The word stroke comes from the Chinese aesthetics, calligraphy, painting and drawing in the development and application of their tools, which propels the research of the line application and the formation of its pattern. Therefore, the stroke is the trace of expressing the painters' various feelings by means of objects, rather than the general concept of the line. |
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| Keywords: | stroke line painting tools pictograph imposing spiritual likesess |
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