| 写意水彩画形式与路径的再认识 |
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| 引用本文： | 黄道兵.写意水彩画形式与路径的再认识[J].三明学院学报,2010,27(1):54-56. |
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| 作者姓名： | 黄道兵 |
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| 作者单位： | 福建师范大学美术学院,福建,福州,350007 |
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| 摘 要： | 水彩画的本体性是写意水彩画的基础与前提。写意水彩画是将西方水彩画的审美观念和艺术方法与民族艺术精神的有机融合。认识和理解了水彩画的本体性、写意性以及二者的关系，就为水彩画的写意图式找到一条较清晰的创作路径。
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| 关 键 词： | 水彩画 本体性 写意性 民族性 创作路径 |
The Recognition of the Form and Path of Impressionistic Watercolors |
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| HUANG Dao-bing.The Recognition of the Form and Path of Impressionistic Watercolors[J].Journal of Sanming University,2010,27(1):54-56. |
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| Authors: | HUANG Dao-bing |
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| Institution: | HUANG Dao-bing(College of Art,Fujian Normal University,Fuzhou 350007,Fujian) |
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| Abstract: | Watercolor ontology is the foundation and prerequisite of impressionistic watercolor.Impressionistic watercolor not only gives play to the aesthetic idea and art method of western watercolor,but also is the embodiment of the spirit of national art as well.The recognition and understanding of the watercolor ontology,impressionist and the relationship between the two explores a clear creative path of the impressionistic watercolors. |
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| Keywords: | watercolor ontology impressionist nationalism creative path |
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