| 论沈曾植的书学思想 |
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| 引用本文： | 狄德全.论沈曾植的书学思想[J].安康学院学报,2010,22(4):74-76. |
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| 作者姓名： | 狄德全 |
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| 作者单位： | 甘肃民族师范学院,美术系,甘肃,合作,747000 |
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| 摘 要： | 进入二十世纪,碑学成为书坛的主流,传统帖学开始走向边缘化,很少受到书家的关注。然而沈曾植却另辟蹊径,创出一种碑帖结合的书法风格。他在实践的基础上总结出了关于碑帖结合的书学理论。本文主要阐述了沈曾植的碑帖兼重、南北汇通、笔法、墨法等书学思想。
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| 关 键 词： | 沈曾植 书学思想 碑帖结合 笔法 墨法 |
On Shen's Calligraphy Art |
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| DI Dequan.On Shen's Calligraphy Art[J].Journal of Ankang Teachers College,2010,22(4):74-76. |
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| Authors: | DI Dequan |
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| Institution: | DI Dequan(Department of Fine Art,Gansu Normal University for Nationalities,Hezuo 747000,Gansu,China) |
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| Abstract: | Since the 1900s,Stele Theory has becoming the main trend of the calligraphy field,Model Calligraphy has been marginalized,and they were received little attention by the calligraphers.But Shen Zengzhi looked the other way and created one calligraphy style of combination of Stele Theory and Model Calligraphy.Based on his practice,Shen Zengzhi summarized the callig-raphy theory of the combination of stele and calligraphy.This paper mainly expounded some his calligraphy theories of taking the stele as important... |
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| Keywords: | Shen Zengzhi calligraphy theory combination of stele and calligraphy technique of writing ink style |
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