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通过穆旦透视中国新诗派的诗学主张与创作实践
引用本文:樊丽.通过穆旦透视中国新诗派的诗学主张与创作实践[J].重庆职业技术学院学报,2010,19(2):46-47.
作者姓名:樊丽
作者单位:重庆师范大学文学与新闻学院,重庆,400047
摘    要:中国新诗派,又名“九叶诗派”,是抗战后期和解放战争时期最有影响的一个新诗流派,具有现代主义的倾向,自觉遵循“现实、象征、玄学的综合传统”。而穆旦是中国新诗派中流派风格最浓烈且最有成就的诗人,他的诗歌充分体现了中国新诗派的特点。文章力图通过对穆旦的诗歌分析来透视中国新诗派的诗学主张和创作实践。

关 键 词:穆旦  中国新诗派  诗学主张  创作实践

Perspective of Chinese New Poem's Viewpoint and Creative Practice Through Mudan's Poem
FAN Li.Perspective of Chinese New Poem's Viewpoint and Creative Practice Through Mudan's Poem[J].Journal of Chongqing Vocational& Technical Institute,2010,19(2):46-47.
Authors:FAN Li
Institution:Chongqing Normal University;Chongqing 400047;China
Abstract:Chinese New poetry school,also known as nine-leaf school,is the most influencal new poetry school in the anaphase of resisting japan and liberation war,which leans to modernism and follows the tradition of realism,symbolism and metaphysics.Mudan features in new poeotry school and is the most famous new poetry school poet.His peoms have the charicteristics of chinese new poems.This essay analyses Mudan's poems to grasp the esence of chinese new poem school's advocacy of poetry and creative practice.
Keywords:Mudan chinese new peom school  advocacy of poetry  creative practice  
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