| 钢琴四、五度与三、六度调律法 |
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| 引用本文： | 张迪华.钢琴四、五度与三、六度调律法[J].衡阳师范学院学报,2005,26(4):168-170. |
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| 作者姓名： | 张迪华 |
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| 作者单位： | 衡阳师范学院,音乐系,湖南,衡阳,421001 |
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| 摘 要： | 钢琴调律，精确度是不容忽视的问题。目前，调律师普遍采用的是四、五度调律法。但这种调律法的整个过程彼此依赖，形成一个闭合环，二旦某个步骤出现误差，将会带入下一环节，而三、六度调律法可减少人为误差，有助于提高调律的速度及精确度。
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| 关 键 词： | 十二平均律 三 六度 拍频 调律 |
| 文章编号： | 1673-0313（2005）04-0168-03 |
| 收稿时间： | 2004-06-09 |
| 修稿时间： | 2004年6月9日 |
Comparation between 4, 5 Degree and 3, 6 Degree of Piano's Adjusting Law |
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| ZHANG Di-hua.Comparation between 4, 5 Degree and 3, 6 Degree of Piano''''s Adjusting Law[J].journal of Hengyang Normal University,2005,26(4):168-170. |
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| Authors: | ZHANG Di-hua |
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| Institution: | Musical Dept. of Hengyang Normal University, Hengyang Hunan 421001, China |
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| Abstract: | The accuracy of adjusting law of piano is a problem which can't be ignored.At present,ordinary people adopt 4,5degree to adjust.Because these courses rely on each other,forming a ring of clothing.Once a certain step makes mistakes,it will bring into next link.But adjusting law of 3,6degree can reduce a lot of error,which can improve the speed and accuracy of adjusting law. |
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| Keywords: | twelve-tone equal temperament 3 6degree sound of pat adjusting law |
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