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论审美心理结构的民族性及其对民族艺术的规范
引用本文:高明,刘建伟.论审美心理结构的民族性及其对民族艺术的规范[J].襄樊学院学报,2011,32(3):63-66.
作者姓名:高明  刘建伟
作者单位:黑龙江司法警官职业学院培训处,黑龙江哈尔滨,150060
摘    要:民族审美心理不是一成不变的,而是日臻完善丰富的。它一旦得以深化之后便遥控民族所有的个体审美心理的生成。这集中体现在对神、宗教,对现实人生的态度和对民族艺术的规范上。稳定的民族审美心理结构,对于不同艺术的创造、功能、本质和欣赏都有着规范。

关 键 词:民族性  审美心理  民族艺术

Nationality of Aesthetical Psychological Structure and Its Criterion Function to Folk Art
GAO Ming,LIU Jian-wei.Nationality of Aesthetical Psychological Structure and Its Criterion Function to Folk Art[J].Journal of Xiangfan University,2011,32(3):63-66.
Authors:GAO Ming  LIU Jian-wei
Institution:GAO Ming,LIU Jian-wei(Training Center,Heilongjiang Judicial Police Vocational College,Harbin 150060,China)
Abstract:National aesthetical psychology is not invariable but enriches itself gradually.Once settled,it remote-controls the formation of aesthetical psychology of a nation in whole,which is mirrored by its criterion function to God,religion,life attitude and folk art.A stable national aesthetical psychological structure governs the creation,function,nature and appreciation of different art.
Keywords:Nationality  Aesthetical psychology  National art  
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