| 经典的生成与文学的合法性——文化生产场域视野中的传统诗经学考察 |
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| 引用本文： | 杨子怡.经典的生成与文学的合法性——文化生产场域视野中的传统诗经学考察[J].西北师大学报,2005,42(4):38-43. |
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| 作者姓名： | 杨子怡 |
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| 作者单位： | 惠州学院中文系 广东惠州516001 |
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| 摘 要： | 传统诗经学经历了先秦、汉唐、宋元、明清等各具特色的不同阶段。这是一个漫长的由文化《诗经》到文学《诗经》的过程,即由经学语境生成文学语境的过程。本文用布迪厄的场域理论,把《诗三百》由“经”而“诗”的现象放到文化生产场即文学场中去作整体考察和审视,以探寻经学和文学生成的过程及合法性。
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| 关 键 词： | 诗经学 文化生产场 经学语境 文学语境 合法性 符号权力 |
| 文章编号： | 1001-9162(2005)04-0038-06 |
| 修稿时间： | 2004年12月20 |
The Formation of the Classics and the Legitimacy of Literature-- A Survey of the Traditional Study of The Book of Songs in the Field of the Cultural Production |
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| YANG Zi-yi.The Formation of the Classics and the Legitimacy of Literature-- A Survey of the Traditional Study of The Book of Songs in the Field of the Cultural Production[J].Journal of the Northwest Normal University(Social Sciences),2005,42(4):38-43. |
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| Authors: | YANG Zi-yi |
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| Abstract: | The traditional study of The Book of Songs has gone through different stages such as Pre-Qin Dynasty,the Han and Tang Dynasties,the Song and Yuan Dynasties,Ming and Oing Dynasties.It is a long course during which The Book of Songs has changed from a cultural text to a literary text as well as from the Confucian classics to the literary classics.This is a very interesting topic. Putting the changing course to the cultural production as well as the literary field, the paper has made a whole study of the phenomena which The Book of Songs changed from the Confucian text to the poem according to the Field Theory of Pierre Bourdieu so as to explore and find its formation and its legitimacy as a Confucian classics and as a literary classics. |
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| Keywords: | culture production field the context of the Confucianism the context of the literature the legitimacy Symbolic Power |
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