| 魂灵的超越与还原——《倩女离魂》与《牡丹亭》解读 |
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| 引用本文： | 蔺九章.魂灵的超越与还原——《倩女离魂》与《牡丹亭》解读[J].黔南民族师范学院学报,2007,27(5):17-21. |
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| 作者姓名： | 蔺九章 |
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| 作者单位： | 邯郸学院,中文系,河北,邯郸,056000 |
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| 摘 要： | 《倩女离魂》和《牡丹亭》分属于元明时期两部戏剧名作，也是两部以“离魂”为主要情节的作品，通过观照两者在人物塑造和主旨思想方面的异同，便于我们深刻理解作品的审美价值及作家的审美理想，进一步把握文学尤其是戏剧作品发展的内在规律。
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| 关 键 词： | 《倩女离魂》 《牡丹亭》 魂灵 |
| 文章编号： | 1005-6769（2007）05-0017-05 |
| 收稿时间： | 2007-09-27 |
| 修稿时间： | 2007年9月27日 |
Surpassing and Restoring the Significance of the Ghosts in the Literary Works |
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| LIN Jiu-zhang.Surpassing and Restoring the Significance of the Ghosts in the Literary Works[J].Journal of Qiannan Normal College of Nationalities,2007,27(5):17-21. |
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| Authors: | LIN Jiu-zhang |
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| Institution: | LIN Jiu - zhang (Chinese Dept. , Handan College, Handan 056000, China) |
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| Abstract: | Ghost of a Pretty Girl and The Peony Pavilion are two famous drama works belonging to Yuan and Ming Dynasties respectively,both of which describe the main plots of spirits breaking away from the bodies.From the differences of character molding and main idea expressing be- tween them,we can deeply understand the aesthetic value of the works and the aesthetic ideals of the authors,and further master the internal laws of the literary,esp.drama works. |
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| Keywords: | Ghost of a Pretty Girl The Peony Pavilion ghost |
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