| 论《最后的晚餐》的形象塑造和写实风格 |
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| 引用本文： | 张乐.论《最后的晚餐》的形象塑造和写实风格[J].四川三峡学院学报,2014(2):109-111. |
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| 作者姓名： | 张乐 |
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| 作者单位： | 安徽工商职业学院,安徽合肥230041 |
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| 摘 要： | 《最后的晚餐》是欧洲文艺复兴时期艺术家达·芬奇的绘画代表作，迄今已有五百年的历史。这幅壁画取材《圣经》新约中耶稣受难故事，表现了耶稣告知有人背叛他，众门徒得知消息时的震惊场景；突出了耶稣从容镇定的光辉形象，鞭挞了犹大的背叛行为。达·芬奇以独特的视角和景观设计，将人物形象刻画得生动逼真，大量艺术手段的科学运用，为这幅传世名画做了有力的衬托，使这幅画作成为文艺复兴时期的巅峰之作。
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| 关 键 词： | 达·芬奇 最后的晚餐 绘画主题 人物设定 表现手段 艺术特色 |
The Image-building and the Realistic Style in The Last Supper |
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| Institution: | ZHAGN Le (Anhui Business of Career Academy, Hefei, Anhui, 230041) |
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| Abstract: | The last Supper is the master piece of Da Finch in European Renaissance and has a history of 500 years. This mural has the subject matter from the story of Jesus in The Bible and presents the scene that when Jesus tells his disciples that someone among them is going to betray him and the disciples are shocked at the news. It uplifts the brilliant image of Jesus and whips the betrayal of Judah. The unique perspective and scene designing vivifies the images in the mural and the scientific use of the abundant artistic technique sets off this time-honored mural to be of even more artistry. Thus it is renowned as the peak artistic work in Renaissance. |
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| Keywords: | Da Finch The Last Supper subject matter of painting image-setting expression means artistry |
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