| 书法中“功”和“性”与“意象”的关系 |
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| 引用本文： | 何明松.书法中“功”和“性”与“意象”的关系[J].昆明大学学报,2008,19(4):13-15. |
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| 作者姓名： | 何明松 |
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| 作者单位： | 昆明学院宣传部,云南,昆明,650118 |
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| 摘 要： | 书法中的“功”和“性”与“意象”，从书法创作的整体意义上说，是局部与大局的关系，它们是一个融合贯通的整体。就里论述的“功”是特指书法中的用笔功力；“性”则指作者在书法创作中所流露的学识修养。书法“意象”，是作者创作中主观之“意”和作者情感所依托的客观形象即艺术之“象”的和谐统一。功”和“性”蕴涵在“意象”中并贯穿于书法创作的全过程，它的强弱影响到书法作品最终的艺术品质。如果说“意象”是书法创作前行为的思想动力和艺术形态的显现，那“功”和“性”则是书法“意象”之美在艺术表现上的强化和升华：是技巧和情感在作品中的再现和流露。
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| 关 键 词： | 意象 “功”和“性” |
The Relationship Among Power, Accomplishment and Imagination of Calligraphy |
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| HE Ming-seng.The Relationship Among Power, Accomplishment and Imagination of Calligraphy[J].Journal of Kunming University,2008,19(4):13-15. |
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| Authors: | HE Ming-seng |
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| Institution: | HE Ming-song (Propaganda Department of Kunming University, Yunnan Kunming 650118, China) |
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| Abstract: | From the sense of overall significance of the calligraphy creation, power, accomplishment and imagination of calligraphy are considered to be a whole, and their relationships are viewed as the partial and general ones. As far as ＂Power＂ is concerned, it refers to power in writing. ＂Accomplishment＂ refers to knowledge and self-cultivation. ＂Imagination＂ in calligraphy refers to the harmonious unification between the intention in writer＇s creation and the objective image which the author＇s emotion depends on. ＂Power＂, ＂Application＂ and ＂Imagination＂ have nan through the entire process of calligraphy creation, and their strength and weakness will have effect on the final art quality of calligraphy works. If ＂Image＂ is the presence of the thoughts power and the artistic shape before calligraphy creation, ＂Power＂ and ＂Application＂ will be the beauty of the calligraphy ＂Image＂ in the strengthening and the sublimation of the artistic performance as well as the reoccurrence and revelation of the skill and the emotion in the works. |
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| Keywords: | Imagination Power Application |
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