| “诗是写给灵魂相通的人看的”——杨克诗歌论 |
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| 引用本文： | 刘波.“诗是写给灵魂相通的人看的”——杨克诗歌论[J].海南师范大学学报(社会科学版),2010,23(3):60-64. |
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| 作者姓名： | 刘波 |
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| 作者单位： | 南开大学,文学院,天津,300071 |
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| 摘 要： | 作为新时期以来的重要诗人,杨克经历了1980年代的朦胧诗和第三代诗歌运动,然而,随着1990年代商品经济和消费社会的来临,他开始尝试创作转型,以描绘工业社会的兴起及其现代背景下的城市书写为主,并见证了个人化写作时代诗人心态的变化。他的创作转型,触及灵魂,在民间立场的支撑下,从细节呈现到批判精神,愈显精彩。
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| 关 键 词： | 创作转型 城市书写 灵魂 民间立场 |
On Yang Ke's Poems |
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| Authors: | LIU Bo |
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| Institution: | LIU Bo(School of Chinese Language and Literature,Nankai University,Tianjin 300071,China) |
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| Abstract: | As an important poet since the new period,Yang Ke has experienced hazy verse in the 1980s and the verse campaign of the 3rd generation. However,with the advent of the consumption society and commodity economy in the 1990s,he began to try making a shift in his writing,with his focus on the depiction of the rise of the industrial society and on the portrayal of cities in the modem context,and witnessed the change of poets＇ psychology in the era of individualized creation. His shift in writing,which touches the soul,has rendered his writing increasingly well-wrought in detail presentation and in the critical spirit by virtue of the folk stance. |
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| Keywords: | transition in writing the depiction of cities soul the folk stance |
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