| 论《虎》诗中的意象创造 |
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| 引用本文： | 杜璇.论《虎》诗中的意象创造[J].合肥教育学院学报,2008(2):62-65. |
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| 作者姓名： | 杜璇 |
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| 作者单位： | 安徽师范大学外国语学院,安徽芜湖241000 |
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| 摘 要： | 在文学上，威廉姆·布莱克是英国第一位藐视情理规则、反对18世纪古典文学传统、珍视个人想象的浪漫主义诗人。《虎》诗为布莱克创作并被收入到其诗集《经验之歌》中，是一首反映作者进步思想的著名中短诗。诗人在诗中运用了听觉意象、象征意象、动感意象、引喻意象来具体表现其思想，读起来使人感到铿锵有力、气势磅礴。对《虎》诗进行评论，旨在领会诗中的深刻涵义、挖掘其中的美学价值、借鉴诗歌中的创作技巧。
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| 关 键 词： | 听觉意象 象征意象 动感意象 隐喻意象 |
On the Creation of Imagery in the Poem Tiger |
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| Authors: | DU Xuan |
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| Institution: | DU Xuan (School of Foreign Languages, Anhui Normal University, Wuhu, Anhui 241000, China) |
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| Abstract: | Literarily, William Blake was the first important English Romantic poet , showing a contempt for the rule of reason, opposing the classical tradition of the 18^th century, and treasuring the individual＇s imagination. Tiger, succinct in style, concise and comprehensive, is William Blake＇s noted short poem representing his progressive ideas and is included in his collected poems Songs of Experience. It is because of the poet＇s embodying his views with audible imagery, symbolic imagery, motional imagery, and metaphorical imagery in the poem that makes us feel that it is sonorous, and full of power and grandeur. The aim at commenting on the poem is to deepen our understanding of its profound implications, excavate its aesthetic values, and make use of the creative technique of the poem for reference. |
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| Keywords: | audible imagery symbolic imagery motional imagery metaphorical imagery |
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