| 象征主义与电影电视 |
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| 引用本文： | 张智华.象征主义与电影电视[J].北京师范大学学报(社会科学版),2002(1):98-103. |
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| 作者姓名： | 张智华 |
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| 作者单位： | 北京师范大学,艺术系,北京,100875 |
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| 摘 要： | 象征主义开始在诗歌中运用,后来扩展到电影电视.象征主义强调展示隐藏在自然世界背后的理念世界,要求凭敏感和想象力,运用象征、隐喻、烘托、对比、联想、比兴等手法,通过丰富的形象和扑朔迷离的意象,来暗示、透露隐藏于日常经验深处的心灵隐秘和理念.象征高于隐喻,是隐喻的提升,比隐喻更深刻、更完美、更动人.有道具的象征,有形象的象征,有片名的象征,有色彩的象征,有部分象征,有整体象征,等等.这几种象征各有所侧重,有时交融在一起.
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| 关 键 词： | 象征主义 隐喻 暗示 |
| 文章编号： | 1002-0209(2002)01-0098-06 |
| 修稿时间： | 2001年11月26日 |
The Symbolism and Art of Film and TV |
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| ZHANG,Zhi-hua.The Symbolism and Art of Film and TV[J].Journal of Beijing Normal University(Social Science Edition),2002(1):98-103. |
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| Authors: | ZHANG Zhi-hua |
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| Abstract: | The symbolism is used in poem from the start, and it is stretched and is used in the art of film and TV later. It is stressed that the symbolism should show the reason that it is hidden in the nature world. It rely on imagination, utilize symbol, metaphor, contrasting, association and so on., by means of rich image , hint soul deep down in one's heart. The symbol is higher than metaphor, and is deeper than metaphor, and is perfect than metaphor, is moving than metaphor. It includes symbol of props, symbol of image, symbol of the name of film and TV, symbol of part and symbol of whole. |
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| Keywords: | symbol metaphor hint |
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