| 建安时代诗-乐关系之新变动--以"魏之三祖"为中心 |
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| 引用本文： | 顾农.建安时代诗-乐关系之新变动--以"魏之三祖"为中心[J].广西师范大学学报(哲学社会科学版),2002,38(3):89-92. |
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| 作者姓名： | 顾农 |
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| 作者单位： | 扬州大学,人文学院,中文系,江苏,扬州,225002 |
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| 摘 要： | 中国古代非仪式性音乐生活中最常见的情形本来是单纯的器乐演奏、徒歌（清唱）、但歌（清唱加帮腔）和带有局部伴奏的演唱，音乐和诗一向未能全程相配；这种情形到建安时代发生一个大的变化，曹操将自己的诗作全程配以器乐演奏，成为所谓“乐章”，此事对诗歌创作产生了重大影响。随着汉王朝的衰微和崩溃，原先音乐机关保存的雅乐和俗乐都严重亡佚，在建安时代因诗－乐配合新方式而得到促进的音乐创新中，新的“清商三调”渐渐形成；到曹丕、曹睿的时代，新的“清商三调”全面确立，并在后来长期流传。建安诗歌创作的不少问题都可以由当时诗－乐关系的新变动得到某种解释和说明。
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| 关 键 词： | 曹操 曹丕 曹睿 清商三调 乐府诗 建安文学 诗歌 音乐 |
| 文章编号： | 1001-6597(2002)03-0089-04 |
| 修稿时间： | 2001年4月13日 |
THE CHANGE IN RELATIONSHIP BETWEEN POETRY AND MUSIC DURING THE JIAN'AN PERIOD |
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| GU Nong.THE CHANGE IN RELATIONSHIP BETWEEN POETRY AND MUSIC DURING THE JIAN''''AN PERIOD[J].Journal of Guangxi Normal University(Philosphy and Social Science Edition),2002,38(3):89-92. |
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| Authors: | GU Nong |
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| Abstract: | Ancient Chinese poetry could not completely be accompanied with music. The most common music forms included pure musical instrument performance, singing without musical accompaniment and partly musically accompanied singing. This situation changed in the period of Jian'an. Cao Cao accompanied the whole process of his poetic creation with musical instrument performance, which greatly influenced the later poetic creation. Such practice was beneficial both to poetic and musical creation. Many questions concerning the poetic creation in Jian'an Period can be explained to some extent if we take into consideration the change in the relationship between poetry and music at that time. |
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| Keywords: | Jian'an Cao Cao Cao Pi Cao Rui poems based on folksongs and ballads |
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