| 禅宗与审美心境 |
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| 引用本文： | 汪献平.禅宗与审美心境[J].阜阳师范学院学报(社会科学版),2001(3):39-41. |
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| 作者姓名： | 汪献平 |
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| 作者单位： | 华南师大中文系,广州,510036 |
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| 摘 要： | 从审美心境角度出发,考察了禅宗中所蕴含的美学思想。认为禅定的修习方法造就了虚静专一的审美心胸,而禅悟作为一种直觉思维的审美体验,于瞬间体悟永恒,达到了一种来去自由、梵人合一的审美境界。
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| 关 键 词： | 禅定 虚静专一 禅悟 直觉体验 来去自由 梵人合一 |
| 文章编号： | 1004-4310(2001)03-0039-03 |
| 修稿时间： | 2000年11月22 |
Dhyana and Aesthetic Mind State |
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| Wang Xianping.Dhyana and Aesthetic Mind State[J].Journal of Fuyang Teachers College(Social Science Edition),2001(3):39-41. |
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| Authors: | Wang Xianping |
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| Abstract: | Starting with aesthetic state of mind,this article explore the aesthetic thouqht contained in Dhyana,believing that the way of dhyana can create a quiet and concentrated mind of aesthetics.The conscivousness of dhyana,as a kind of aesthetic practice of divect thinking,being conscous of permanency,reaches an aesthetic state of mind in which Buddhas and persons are integrated,coming adn going freely. |
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| Keywords: | Dhyana Consciousness of dhyana Quiet and conentrated Direct practice Cone and go freely Buddhas and persons are integrated |
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