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朴拙与灵秀--昭通作家创作风格论
引用本文:刘廉昌.朴拙与灵秀--昭通作家创作风格论[J].昭通师范高等专科学校学报,2005,27(1):31-37.
作者姓名:刘廉昌
作者单位:昭通师范高等专科学校,中文系,云南,昭通,657000
摘    要:昭通作家群正逐步走向成熟,形成了某些较为鲜明的共同的风格特征,可概括为朴拙与灵秀.其中又可分为两派:其一为朴拙中透着灵秀,在真实地描写和再现现实生活中透露出作家观察生活的机敏与睿智;另一派为灵秀中孕含朴拙,在表现生活、表现理想和表现自己的审美追求的过程中孕含着由现实生活所激发的真挚而浓烈的情感.

关 键 词:昭通作家  创作风格  朴拙  灵秀
文章编号:1008-9322(2005)01-0031-07
修稿时间:2004年12月16

Simplicity and Unadornedness with Intelligence and Beauty——On the creative style of Zhaotong writers
LIU Lian-chang.Simplicity and Unadornedness with Intelligence and Beauty——On the creative style of Zhaotong writers[J].Journal of Zhaotong Teacher's College,2005,27(1):31-37.
Authors:LIU Lian-chang
Abstract:Zhaotong writer group is heading for maturity step by step. They have formed some comparatively distinctive common style-characteristics and that may be categorized as simplicity and unadornedness with intelligence and beauty. Among them, they can also be divided into two sects. One shows intelligence and beauty from simplicity and unadornedness, and it reveals writers'alertness and resourcefulness and wisdom and farsight in life observation when they actually describe and reproduce the real life. While another sect contains simplicity and unadornedness in intelligence and beauty, and in the course of expressing life, ideal and their own aesthetic pursuit, it implicates the sincere and strong emotion aroused from the real life.
Keywords:Zhaotong writer  creative style  simplicity and unadornedness  intelligence and beauty  
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