| 论戴望舒诗歌创作中的悲剧意识 |
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| 引用本文： | 侯敏.论戴望舒诗歌创作中的悲剧意识[J].鞍山师范学院学报,2007,9(5):56-58. |
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| 作者姓名： | 侯敏 |
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| 作者单位： | 辽宁师范大学,文学院,辽宁,大连,116029 |
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| 摘 要： | 戴望舒作为20世纪30年代现代派诗坛的首领,他强调新诗“应该有新的情绪“.也就是在这种“内在情绪“的牵引下,戴望舒的九十余首诗篇中流露出浓重的悲剧意识.本文拟从戴望舒悲剧意识的缘起、文本呈现及其得失等三个方面作一粗浅的分析.
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| 关 键 词： | 戴望舒 悲剧意识 文本呈现 得失 |
| 文章编号： | 1008-2441(2007)05-0056-03 |
| 修稿时间： | 2007年3月20日 |
On the Tragedy Consciousness in Dai Wangshu's Poetic Creation |
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| HOU Min.On the Tragedy Consciousness in Dai Wangshu''''s Poetic Creation[J].Journal of Anshan Teachers College,2007,9(5):56-58. |
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| Authors: | HOU Min |
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| Abstract: | As a modern leading poet in the 1930s,Dai Wangshu emphasizes new poems "should have new emotion" and driven by this "inherent emotion" more than 90 of his poems embodied the strong tragedy consciousness.This paper aims to analyze the origin of his tragedy consciousness,text presenting and its gain and loss. |
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| Keywords: | Dai Wangshu Tragedy consciousness Text presenting Gain and loss |
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