| 《文心雕龙》与英美新批评关于文学性的共同“诗心” |
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| 引用本文： | 冉思玮.《文心雕龙》与英美新批评关于文学性的共同“诗心”[J].重庆教育学院学报,2008,21(4):54-57. |
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| 作者姓名： | 冉思玮 |
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| 作者单位： | 重庆师范大学文学与新闻学院,重庆,400047 |
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| 摘 要： | 《文心雕龙》和英美新批评在中西文论史上占有相当重要的地位。它们对文学规律的挖掘是比较诗学研究理应重视的问题之一。“新批评”是一种独特的形式主义文论，它对文本形式的关注使之区别干西方传统文论，而这种对传统文论的叛离提醒人们把注意力集中在“文学性”上。《文心雕龙》中的文学观念远比新批评丰富，但就探讨文学性而言，双方看法实有共通之处。
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| 关 键 词： | 文心雕龙 英美新批评 文学性 |
The similarity in literariness between Wen-hsin Tiao-lung and The New Criticism |
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| RAN Si-Wei.The similarity in literariness between Wen-hsin Tiao-lung and The New Criticism[J].Journal of Chongqing College of Education,2008,21(4):54-57. |
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| Authors: | RAN Si-Wei |
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| Institution: | RAN Si-wei (College of Literature and Journalism, Chongqing Normal University, Chongqing 400047, China) |
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| Abstract: | Wen-hsin Tiao-lung and The New Criticism are two important stages and the literature disciplinarian they dredged up together is one of the great subjects for comparative poetics research. The New Criticism is a special pharisaism literary theory. It focuses on text modal, which differs from west traditional text. But this betrayal of traditional text reminds people of paying more attention to the literariness. The literature concepts in Wen-hsin Tiao-lung are more abundant than in The New Criticism, but as for literariness, their do have something in common. |
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| Keywords: | Wen-hsin Tiao-lung The New Criticism literariness |
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