| 穿插藏闪、意识流、蒙太奇与城市意象 |
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| 引用本文： | 卢晓玲.穿插藏闪、意识流、蒙太奇与城市意象[J].齐齐哈尔师范高等专科学校学报,2010(3):72-73. |
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| 作者姓名： | 卢晓玲 |
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| 作者单位： | 西北民族大学,兰州,730030 |
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| 摘 要： | ＂穿插藏闪＂、＂意识流＂是伴随着都市文化出现的两种叙事技巧,他们分别从时空结构和心理层面上构建城市空间、刻画都市人群心理,从不同侧面彰显城市意象.而＂蒙太奇＂则是以电影为载体,打破时空心理的限制,以随意调度的方式,折射出某种都市关怀.
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| 关 键 词： | 穿插藏闪 意识流 蒙太奇 城市意象 |
"Interspersed Possession Flash","Stream of Consciousness ","Montage" and Urban Imago |
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| LU Xiao-ling."Interspersed Possession Flash","Stream of Consciousness ","Montage" and Urban Imago[J].Journal of Qiqihar Junior Teachers‘ College,2010(3):72-73. |
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| Authors: | LU Xiao-ling |
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| Institution: | LU Xiao -ling (Northwest University for Nationalities, Lanzhou, 730030, China) |
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| Abstract: | ＂Interspersed possession flash＂ and ＂stream of consciousness＂ are two kinds of narrative skilla with the emergence of urban culture. They build a city space on the psychological dimensions, the psychological portrait of the urban population, and highlight different aspects of urban imagery from the space-time structure. ＂Montage＂ breaks the limit of the space-time and psychological time using film as a carrier and reflects a concern for the city by arbitrarily scheduling approach. |
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| Keywords: | interspersed possession flash stream of consciousness Montage urban imago |
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