| 黄梅戏“叙述时间”初探 |
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| 引用本文： | 徐亮红.黄梅戏“叙述时间”初探[J].安庆师范学院学报(社会科学版),2013(6):89-93. |
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| 作者姓名： | 徐亮红 |
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| 作者单位： | 安徽新华学院 文化与新闻传播学院,安徽 合肥,230088 |
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| 基金项目： | 安徽省教育厅人文社会科学项目.黄梅戏的魅力研究一黄梅戏的‘原型’分析和伦理超越诉求”（2009sk458）. |
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| 摘 要： | 黄梅戏故事作为一种有意味的文本，在“叙述时间”上存在着独特性，这表现在时间标注、倒叙和预叙的运用、用缩写代替省略等三个方面，它们充分揭示出黄梅戏以故事时间为主导的线性结构特征。
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| 关 键 词： | 故事时间 时间标注 倒叙和预叙 缩写 |
On the Narrative Time of Huangmei Opera |
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| XU Liang-hong.On the Narrative Time of Huangmei Opera[J].Journal of Anqing Teachers College(Social Science Edition),2013(6):89-93. |
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| Authors: | XU Liang-hong |
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| Institution: | XU Liang-hong (School of Culture and News Communication, Anhui Xinhua College, Hefei 230088, Anhui, China) |
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| Abstract: | Stories in Hnangmei opera, as meaningful texts, are unique in their narrative time, which is reflected in three as- pects： time marking, employment of flashback and flaahforwant and using initial forms to replace ellipses. They reveal the linear structure of Huangmei stories dominated by the story time. |
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| Keywords: | story time time marking flashback and flashforward initial forms |
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