| 论音乐艺术审美反映特性的形成 |
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| 引用本文： | 贺天忠.论音乐艺术审美反映特性的形成[J].孝感职业技术学院学报,2007,10(3):64-67. |
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| 作者姓名： | 贺天忠 |
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| 作者单位： | 孝感学院文学院 湖北孝感432000 |
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| 摘 要： | 音乐艺术的审美反映特性主要通过表情达意的间接性和超越性、情感的概括性和不确定性等方面体现出来,再加上音象的象征性和暗示性,形式的流动性与合乎美的规律性,它们有机地融合为一体,形成了独特的流动的美,体现了音乐情感艺术的本质。
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| 关 键 词： | 音乐艺术 间接性 超越性 表情本质 审美反映特性 |
| 文章编号： | 1671-8178（2007）03-0064-04 |
| 修稿时间： | 2007-08-28 |
On Formation of Aesthetic Presentation of Music |
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| HE Tian-zhong.On Formation of Aesthetic Presentation of Music[J].Journal of Xiaogan Vocational-Technical College,2007,10(3):64-67. |
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| Authors: | HE Tian-zhong |
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| Institution: | School of Literature, Xiaogan University Xiaogan, Hubei 432000 |
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| Abstract: | The aesthetic presentation of music are exhibited through the indirectness and transcendency in expressing feelings,and the generalization and uncertainty of emotions.Moreover,the symbolization and implication of music,the fluidity of the form,and the accordance with beauty,all these combined together form the unique and flowing beauty of music,exhibiting the essence of the emotional art of music. |
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| Keywords: | Art of Music Indirectness Transcendency Essence in Expressing Feelings Aesthetic Presentation |
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