| 戴望舒对法国象征主义的接受 |
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| 引用本文： | 吴瑞.戴望舒对法国象征主义的接受[J].洛阳师范学院学报,2013,32(1):65-68. |
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| 作者姓名： | 吴瑞 |
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| 作者单位： | 西安翻译学院,陕西西安,710105 |
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| 摘 要： | 戴望舒深受法国象征主义的影响,他把象征主义诗的艺术和中国诗歌传统相融合,为中国新诗开辟了前所未有的胜境。文章从象征手法、音乐性以及由此带来的诗歌的暗示性,还有通感的运用这四个方面,探讨了戴望舒对法国象征主义诗歌的接受。
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| 关 键 词： | 象征 音乐性 暗示 通感 |
Dai Wangshu's Acceptance of French Symbolism |
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| WU Rui.Dai Wangshu's Acceptance of French Symbolism[J].Journal of Luoyang Teachers College,2013,32(1):65-68. |
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| Authors: | WU Rui |
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| Institution: | WU Rui Xi＇ an Translating University, Xi＇ an 710105 ,China |
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| Abstract: | Influenced by French symbolism, Dai Wangshu fused the art of symbolism poetry into Chinese tra- ditional poetry, and started a new prosperous age of Chinese modern poetry. Poet Dai＇ s acceptance of French sym- bolic poetry represents several aspects as following： the techniques of symbolism, musicality and the implication of corresponding poetry as well as the usage of correspondence. |
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| Keywords: | symbol musicality implication correspondence |
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