| 结构消融下的视觉形象 |
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| 引用本文： | 王敏庆.结构消融下的视觉形象[J].洛阳师范学院学报,2013,32(1):112-118. |
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| 作者姓名： | 王敏庆 |
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| 作者单位： | 中国社会科学院世界宗教研究所,北京,100732 |
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| 摘 要： | 结构主义是20世纪中叶以来影响颇大的一股哲学思潮,由此衍生出的后结构主义(解构主义)更是因其与后现代相关而风靡全球。通过对巴特的《符号禅意东洋风》以及解构主义建筑的初步分析可知,每一种思想理论既为人们开辟了认识事物的新思路,同时也或多或少存在着理论上的缺陷,而这种缺陷需要借鉴其他思想理论来弥补完善。并且,当一种新的思潮出现时,它势必与曾经的思想相连,而不可能将自己与过去完全隔绝。
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| 关 键 词： | 结构消融论 解构主义 视觉形象 禅 |
Visual Image of Non-Structure |
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| WANG Min-qing.Visual Image of Non-Structure[J].Journal of Luoyang Teachers College,2013,32(1):112-118. |
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| Authors: | WANG Min-qing |
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| Institution: | WANG Min-qing Institute of World Religions, Chinese Academy of Social Sciences, Beijing 100732, China |
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| Abstract: | Structuralism was a kind of influential philosophical thought in the middle of the last century, de- rived from which, the post-structuralism （deconstruction） since then has been embraced around the globe due to connection with post-modernity. In this paper, by analyzing Roland Barthes＇ s L＇ empire des Signs and the archi- tecture of deconstruction, it will be shown that each theory of ideology blazes new roads in understand things. In the same way there are more or less weaknesses in the theory and the weaknesses should be modified and perfected by learning from other ideological theory. When a new thought emerges, it will inevitably be connected with former ideology, and it is impossible to make one be quarantined off from the past. |
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| Keywords: | non-structure deconstructionism visual image dhyāma |
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