| 论西方文化批评理论的基本取向 |
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| 引用本文： | 汪振城.论西方文化批评理论的基本取向[J].浙江传媒学院学报,2004,11(2):44-46. |
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| 作者姓名： | 汪振城 |
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| 作者单位： | 浙江传媒学院教务处 |
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| 摘 要： | 作为文学研究话语的西方文化批评理论,尽管它没有界定明确的方法和理论体系,而更多地表现为一种不断生成和扩展的知识实践,但我们还是可以从其批评立场、批评对象、批评方法等方面看出它的基本取向,及其与传统美学批评的差异.把握这一取向和差异,有助于我们对中国当下语境中文化批评的现状和未来有一个清醒的认识.
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| 关 键 词： | 文化批评美学批评 立场 对象 方法 |
| 文章编号： | 1008-6552(2004)02-0044-03 |
On the Basic Orientation of Western Cultural Criticism Theory |
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| Wang Zhencheng.On the Basic Orientation of Western Cultural Criticism Theory[J].Journal of Zhejiang Institute of Medial Communications,2004,11(2):44-46. |
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| Authors: | Wang Zhencheng |
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| Institution: | Wang Zhencheng |
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| Abstract: | western cultural criticism theory is a kind of literature study discourse, though it has no clear definition or theoretical system, on the contrary, it emerges as a continuous transforming and expanding practice, we still can find its basic orientation through its criticism standpoint, criticism object, criticism approaches and etc., and find its difference with traditional aesthetic criticism. To master this orientation and difference is helpful for us to have a better understanding and clear recognition on present Chinese cultural criticism and its future development. |
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| Keywords: | cultural criticism aesthetic criticism standpoint object approach |
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