| 谈舞台美术的写实与写意之美 |
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| 引用本文： | 李淑敏.谈舞台美术的写实与写意之美[J].哈尔滨学院学报,2003,24(3):135-137. |
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| 作者姓名： | 李淑敏 |
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| 作者单位： | 哈尔滨儿童艺术剧院,黑龙江,哈尔滨,150070 |
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| 摘 要： | 在戏剧艺术苑圈中，舞台美术无疑是枝夺目的奇葩，无论从美学的角度或戏剧的目光去审视舞台美术，都不难发现其艺术内涵的丰富厚重与发展在现代戏剧中有着不可缺的作用。舞台美术是依附戏剧的产生而产生，随戏剧的发展而发展，各种戏剧样式、流浪的生成，也注定了舞美流派的出现，无论是写实与写意，幻觉与假定，只要是表达戏剧内容最恰当、最完美、最新颖的舞台美术都是成功的。
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| 关 键 词： | 舞台美术 写实 写意 幻觉 假定 |
| 文章编号： | 1004-5856(2003)03-0135-03 |
Realistic and Ideographical Style in Stage Design |
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| LI Shu-min.Realistic and Ideographical Style in Stage Design[J].Journal of Harbin University,2003,24(3):135-137. |
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| Authors: | LI Shu-min |
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| Abstract: | It's doubtless that stage artistic design is a dazzling part among the arts of drama. We can easily find that, whether judged from the angle of esthetics or from the view of drama, the richness and development of the artistic connotation of stage design is indispensable in modern drama. The debut and development of stage design depend on drama; so various styles and genres of drama determine the emergence of different genres of stage design. No matter which method is to be used, realistic or ideographical style, hallucination or presupposition, if only can it express the content of drama most suitably, perfectly, creatively, the stage design is successful. |
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| Keywords: | Stage design realistic style ideographical style hallucination presupposition |
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